Blue Moon Marquee writes and performs original compositions influenced by anything that swings, jumps or grooves. A.W. Cardinal (vocals/guitar) and Jasmine Colette a.k.a. Badlands Jass (vocals/bass/drums) have played for a vast gamut of crowds at jazz clubs, Lindy Hop dance halls, folk venues, blues haunts, hospitals, prisons, markets, motorcycle joints, dive bars and prestigious festival stages.

Colette not only commands the upright bass but also brings the rhythm with her feet on a

custom foot drum kit, all while singing in her signature honey-dipped tone. Cardinal’s distinctive

and soulful vocals barrel out like a raging bull while his guitar crackles with the swinging energy of jazz-tinged blues.

Carving a path through blues, jazz, jump jive, folk, country, swing, and Indigenous soul with an authentic spirit, their sound does not idle easily in one certain category. Their gift is bringing all these elements together without anything sounding out of step. They collect the roots and smoothly braid them with lyrics that often touch on the underbelly of society, woven with elements of Indigenous storytelling and poetic cadence.

With their JUNO Award-winning 5th album (Blues Album of the Year), Scream, Holler &

Howl (SHH), Blue Moon Marquee has captured their most sophisticated collection of songs yet.

SHH blazes forward with a full band featuring some of Canada’s finest veteran players. While they have primarily performed as a duo since 2013, over the last couple of years they have been performing often as a trio or quartet featuring Darcy Phillips (Jann Arden) on piano and Jerry Cook (Colin James) on tenor and baritone saxophone.

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